Botticelli's Madonna In The Louvre

Botticelli's Madonna In The Louvre

The narrator visits the Louvre and becomes fascinated with Botticelli's Madonna, which sparks a series of memories and reflections about her own life, including her unhappy marriage and unfulfilled desires. As she gazes at the painting, she begins to identify with the Madonna's serene and enigmatic smile, seeing parallels between their lives. The narrator's inner turmoil is juxtaposed with the calm and beauty of the artwork, leading to a deeper understanding of herself and her place in society.

By Edith Wharton · First published 1902 · Genre: Poetry, Religious Literature, Historical Fiction · 166 words

First lines

WHAT strange presentiment, O Mother, lies / On thy waste brow and sadly-folded lips, / Forefeeling the Light's terrible eclipse / On Calvary, as if love made thee wise, / And thou couldst read in those dear infant eyes / The sorrow that beneath their smiling sleeps, / And guess what bitter tears a mother weeps / When the cross darkens her unclouded skies?

Sad Lady, if some mother, passing thee, / Should feel a throb of thy foreboding pain, / And think -- "My child at home clings so to me, / With the same smile. and yet in vain, in vain, / Since even this Jesus died on Calvary" -- / Say to her then: "He also rose again. "

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Botticelli's Madonna In The Louvre is listed on Textopian as a poem by Edith Wharton, dated 1902 CE.

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Art Criticism · Italian Renaissance · Florence · Paris · Louvre Museum · Botticelli · Madonna · Renaissance Art · Feminine Beauty · Religious Iconography · Christian Art · Virgin Mary

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