Whereas at Morning

Whereas at Morning

The poem explores the contrast between morning and evening, reflecting on the speaker's emotional journey. In the morning, the speaker feels discontent and restless, symbolized by the jeweled crown and the act of biting fingers, indicating anxiety and dissatisfaction. The imagery of shaking disaster suggests a tumultuous past, where the speaker has faced challenges that have led to a sense of loss. As night falls, the tone shifts to one of calmness and acceptance. The speaker finds solace in the chaos of the evening, represented by the sounds of men preparing for battle and the lively atmosphere. This transition signifies a release from earlier tensions, allowing the speaker to feel more at ease. The private chamber, once muffled and quiet, becomes a space of potential and anticipation. The poem culminates in a sense of empowerment, as the speaker contemplates stepping into the world, ready to embrace whatever comes next, whether it be victory or defeat. The closing lines evoke a powerful image of the speaker as a commanding figure, ready to face the consequences of their actions. The juxtaposition of morning's unease and evening's clarity highlights the complexities of human emotion and the inevitability of change.

By Edna St. Vincent Millay · First published 1940 · Genre: Poetry, Lyric, Modernist · 144 words

First lines

Whereas at morning in a jeweled crown

I bit my fingers and was hard to please, Having shook disaster till the fruit fell down

I feel tonight more happy and at ease:

Feet running in the corridors, men quick-Buckling their sword-belts bumping down the stair, Challenge, and rattling bridge-chain, and the click

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Whereas at Morning is listed on Textopian as a poem by Edna St. Vincent Millay, dated 1940 CE.

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Poetry · Free Verse · Nature · Mortality · Existentialism · Philosophy · Death · Loss · Grief · Memory · Time · Ephemerality

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