
The poem contrasts two houses situated near a river, each embodying different histories and atmospheres. The first house, a farmhouse, is depicted as inviting and serene, surrounded by a pleasant landscape that evokes warmth and comfort. It stands apart from the road, suggesting a refuge from the chaos of the outside world. The imagery emphasizes its beauty and tranquility, making it a memorable sight for those who pass by. In stark contrast, the second house is associated with decay and the passage of time. It is described as an older structure, overshadowed by a sycamore tree, which adds a sense of gloom. The presence of a black dog, chained and moaning, enhances the eerie atmosphere, suggesting a lingering connection to the past. The echoes of the dog's barks resonate with the memories of the dead, hinting at a haunting quality that permeates the area. The poem explores themes of memory, loss, and the juxtaposition of life and death. The first house represents vitality and the present, while the second house symbolizes the remnants of history and the inevitability of mortality. The interplay between these two spaces invites reflection on the nature of existence and the impact of time on both the living and the dead. The imagery and tone create a poignant meditation on the relationship between place, memory, and the passage of time.
By Edward Thomas · First published 1914 · Genre: Poetry, Nature Writing, Romanticism · 168 words
Between a sunny bank and the sun The farmhouse smiles On the riverside plat:
No other one So pleasant to look at And remember, for many miles, So velvet-hushed and cool under the warm tiles.
Not far from the road it lies, yet caught Far out of reach Of the road's dust And the dusty thought Of passers-by, though each Stops, and turns, and must Look down at it like a wasp at the muslined peach.
But another house stood there long before:
Two Houses is listed on Textopian as a poem by Edward Thomas, dated 1914 CE.
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Poetry · Nature · Family · Relationships · Love · Loss · Memory · Nostalgia · Imagery · Symbolism · Realism · Psychological Insight