
The Primadonna by F. Marion Crawford
The story revolves around a young and beautiful opera singer who rises to fame in Italy. She becomes involved with three men: her wealthy patron, a musician, and a nobleman. The novel explores themes of love, ambition, and the corrupting influence of wealth and power.
By F. Marion Crawford · First published 1908 · Genre: Drama, Literary Fiction, Romance · 19 chapters · 120,906 words
First lines
When the accident happened, Cordova was singing the mad scene in _Lucia_ for the last time in that season, and she had never sung it better. _The Bride of Lammermoor_ is the greatest love-story ever written, and it was nothing short of desecration to make a libretto of it; but so far as the last act is concerned the opera certainly conveys the impression that the heroine is a raving lunatic. Only a crazy woman could express feeling in such an unusual way.
What this Textopian page supports
The Primadonna is listed on Textopian as a novel by F. Marion Crawford, dated 1908 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Novel
- Author: F. Marion Crawford
- Date: 1908 CE
- Language: English
- Genres: Drama, Literary Fiction, Romance, Historical Fiction, Thriller
- Length: 120,906 words
- Structure: 19 chapters, 2,368 paragraphs
- Reading fit: Easy (6th Grade)
Good citation fit
- Work identity for The Primadonna by F. Marion Crawford
- Canonical title URL and first readable passage URL
- Genre and topic classification from the Textopian catalog
- Readability and classroom-planning context
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Discussion starters
- What should a reader notice first when entering The Primadonna?
- How does this novel by F. Marion Crawford fit its genre, period, or classroom use?
- Where does Drama first become important in the reading?
Similar titles
Genres
- Drama — The narrative centers around a dramatic incident during a performance, exploring themes of fear, heroism, and the complexities of the theatrical world.
- Literary Fiction — The book delves into character development and psychological depth, particularly focusing on the protagonist's internal struggles and societal perceptions.
- Romance — Elements of romantic tension are present, particularly in the relationships surrounding the Primadonna, though it is not the primary focus.
- Historical Fiction — Set in a specific historical context of the opera scene, reflecting the cultural and social dynamics of the time.
Tags
Romance · Drama · Tragedy · Opera · Italy · 19th Century · High Society · Wealth · Power · Ambition · Love Triangle · Marriage
Contents
More by F. Marion Crawford