
The Gathering of the Bands
This novel is a satirical portrayal of British society during World War II. It follows the lives of several individuals who gather at a country estate for a weekend retreat. The story explores themes of class, social status, and the effects of war on everyday people. Through its characters' interactions and experiences, the novel critiques the societal norms and values of the time.
By Herbert Jenkins · First published 1932 · Genre: Comedy, Satire, Farce · 5,331 words
First lines
From the direction of Putney Bridge a large crowd was approaching. People were leaning over the sides of omnibuses, staring out of the windows of trams, boys were whistling and exchanging comments, the purport of which Mr. Hearty could not quite catch. In this new excitement he forgot the "alibis," who gradually became absorbed in the growing throng that collected outside the shop.
What this Textopian page supports
The Gathering of the Bands is listed on Textopian as a novel by Herbert Jenkins, dated 1932 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Novel
- Author: Herbert Jenkins
- Date: 1932 CE
- Language: English
- Genres: Comedy, Satire, Farce, Social Commentary, Drama
- Length: 5,331 words
- Structure: 1 section, 148 paragraphs
- Reading fit: Easy (6th Grade)
Good citation fit
- Work identity for The Gathering of the Bands by Herbert Jenkins
- Canonical title URL and first readable passage URL
- Genre and topic classification from the Textopian catalog
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Discussion starters
- What should a reader notice first when entering The Gathering of the Bands?
- How does this novel by Herbert Jenkins fit its genre, period, or classroom use?
- Where does Comedy first become important in the reading?
Similar titles
Genres
- Comedy — The narrative is filled with absurd and humorous situations, such as the parade of vegetables and the chaotic band performances, which are central to the comedic tone.
- Satire — The story satirizes commercialism and public spectacle, using exaggerated scenarios to critique societal norms and behaviors.
- Farce — The exaggerated, improbable events and the chaotic, slapstick nature of the plot align with the characteristics of farce.
- Social Commentary — The narrative provides commentary on social dynamics and the impact of public opinion, particularly through the lens of Mr. Hearty's experiences.
Tags
Music Industry · Biography · Memoir · Non-Fiction · Entertainment · Business · Industry · History · Pop Culture · Rock Music · Famous People · Celebrity
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