
The text describes a German poet's exile in Paris, where he observes the city's inhabitants and their relationship with nature. The poet notes that people are drawn to the Seine River, which serves as a symbol of freedom and escape. He also mentions whales, using them as a metaphor for the poet's own feelings of isolation and disconnection from his homeland. The text highlights the tension between the poet's desire for artistic expression and his need for financial stability. The poet is forced to compromise his values in order to survive, leading to feelings of disillusionment and despair. Throughout the text, the poet grapples with the idea of identity and belonging. He struggles to reconcile his German heritage with his adopted life in Paris, feeling like a stranger in both worlds. The text also touches on the theme of nostalgia, as the poet reflects on his homeland and the people he left behind. His longing for Germany is tempered by his recognition that he can never truly return to his former life. Ultimately, the text presents a nuanced portrayal of exile and identity, highlighting the complexities and challenges faced by those who are forced to navigate multiple cultures and identities.
By James Stamers · First published 1867 · Genre: Mythology, Adventure, Satire · 4,645 words
Neptune is still the monarch of the empire of the seas, and Pluto (although metamorphosed into the Devil) has retained the throne of Tartarus. They have both been more lucky than their brother Jupiter, who had to suffer specially the vicissitudes of fortune. This third son of Saturn, who after the fall of his sire assumed the sovereignty of the heavens, reigned for a long series of years on the summit of Olympus, surrounded by a jovial court of high and of most high gods and demigods, as well as on high and of most high goddesses and nymphs -- their celestial ladies of the bedchamber and maids of honor, who all led a joyous life, replete with ambrosia and nectar, despising the clowns attached to the soil down here, and taking no thought of the morrow. Alas, when the reign of the Cross, the empire of suffering, was proclaimed, the supreme Chronide emigrated and disappeared amidst the tumult of the barbarian tribes which invaded the Roman world. All traces of the ex-God were lost, and I have questioned in vain old chronicles and old women; no one has been able to furnish me with any information as to his destiny. I have burrowed in many a library, where I made them bring me the most magnificent _codex_ enriched with gold and jewels, veritable odalisques in the harem of science; and as is the custom, I here render my public thanks to the erudite eunuchs who, without too much grumbling and sometimes even with affability, have given me access to these luminous treasures confided to their care. I am now convinced that the middle ages have not bequeathed to us any traditions concerning the fate of Jupiter after the fall of Paganism. All that I have been able to discover in connection with this subject is the history told me long ago by my friend Niels Andersen.
Heine on an Illustrious Exile with Something about Whales. (from the "De L'Allemagne. ") (1867.) is listed on Textopian as an essay by James Stamers, dated 1867 CE.
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German Literature · 19th Century · Exile · Whales · Satire · Social Commentary · Cultural Criticism · Travel Writing · Literary Essay · Philosophical Themes · National Identity · Alienation