
The lioness dies, and the Lion summons his realm to her funeral. His grief is violent and noisy, and the courtiers imitate his lamentation, since those at court must feel—or at least appear to feel—whatever pleases the sovereign. The stag does not attend the funeral or shed tears. The lioness had killed his wife and son, so he cannot mourn her. A flatterer reports that the stag smiled, and the enraged Lion orders the wolves to sacrifice him in vengeance for the queen. The stag boldly approaches the throne and claims that he has seen the lioness among flowers. She supposedly told him that she now lives happily with saints in the Elysian grove and warned him not to weep at her funeral, though she approved of the Lion’s proper royal mourning. The Lion and the court eagerly accept this account as a miracle and an apotheosis. Instead of being punished, the stag leaves with rich gifts. The tale concludes that pleasant dreams and flattery can appease royalty and win rewards, whatever offence one may have committed or however fierce a ruler’s anger may be.
By Jean de La Fontaine · First published 1678 · Genre: Fable, Satire, Political Allegory · 843 words
The lion's consort died: / Crowds, gather'd at his side, / Must needs console the prince, / And thus their loyalty evince / By compliments of course; / Which make affliction worse. / Officially he cites / His realm to funeral rites, / At such a time and place; / His marshals of the mace / Would order the affair. / Judge you if all came there. / Meantime, the prince gave way / To sorrow night and day. / With cries of wild lament / His cave he well-nigh rent. / And from his courtiers far and near, / Sounds imitative you might hear.
French fable · verse narrative · seventeenth-century literature · animal allegory · royal court · lion king · lioness's funeral · stag · courtly flattery · political satire · absolute monarchy · tyranny
The Funeral of the Lioness is listed on Textopian as a fable by Jean de La Fontaine, dated 1678 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.