
La Fontaine declares that he will sing the heroes descended from old Aesop, whose apparently false tales contain useful truths. In these fables, every kind of creature speaks, even fishes, and their lessons are intended for human beings; the poet uses animals as a way of reaching mankind. Addressing the Dauphin as the son of a Prince favored by heaven and watched by the whole world, La Fontaine predicts that the young prince will measure conquest by his days and receive praise from even the proudest voices. He admits that a greater poet should celebrate the virtues belonging to the Dauphin’s royal line. Instead, he seeks the prince’s attention through lighter subjects: small images illuminated by nature’s enchantment. If he cannot take pride in pleasing the Dauphin, he hopes at least to be credited with having made the attempt.
By Jean de La Fontaine · First published 1668 · Genre: Poetry, Dedication, Occasional Poetry · 343 words
I sing the heroes of old Aesop's line, / Whose tale, though false when strictly we define, / Containeth truths it were not ill to teach. / With me all natures use the gift of speech; / Yea, in my work, the very fishes preach, / And to our human selves their sermons suit. / 'Tis thus, to come at man, I use the brute.
French fable · verse dedication · seventeenth-century France · Louis XIV's reign · the Dauphin · royal patronage · Aesopic tradition · talking animals · speaking creatures · animal allegory · moral instruction · truth in fiction
To Monseigneur the Dauphin is listed on Textopian as a poem by Jean de La Fontaine, dated 1668 CE.
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