
A sculptor buys a fine block of marble and decides to carve it into an armed god holding thunder. His skill makes the statue so like Jupiter that it lacks only speech. After completing it, however, the sculptor himself becomes afraid of the frown of the image he has made. The poem compares this response to a poet fearing the anger of gods created by his own imagination, and to children treating dolls as though they possessed real power. Imagination, it argues, governs the heart and gives rise to pagan errors, as people passionately defend the chimeras they create. Like Pygmalion loving a figure made by his own art, people turn dreams into realities, resisting truth while eagerly embracing falsehood.
By Jean de La Fontaine · First published 1678 · Genre: Fable, Didactic Poetry, Moral Allegory · 407 words
A block of marble was so fine, / To buy it did a sculptor hasten. / 'What shall my chisel, now 'tis mine -- / A god, a table, or a basin?'
'A god,' said he, 'the thing shall be; / I'll arm it, too, with thunder. / Let people quake, and bow the knee / With reverential wonder.'
French fable · verse fable · seventeenth-century literature · classical mythology · Jupiter · Pygmalion · sculpture · marble statue · artist and creation · idolatry · pagan religion · imagination
The Sculptor and the Statue of Jupiter is listed on Textopian as a fable by Jean de La Fontaine, dated 1678 CE.
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