
The poem describes a scene from the Italian Renaissance, specifically the city of Perugia during the 15th century. It portrays the city's beauty and its people's love for art and music. The speaker reflects on the transience of human life and the fleeting nature of artistic expression. The poem is written in a lyrical style, with a focus on the emotional and aesthetic qualities of the scene. Whittier uses vivid imagery to describe the city's architecture, the sounds of the streets, and the beauty of the people. Throughout the poem, there are references to the cultural and historical context of Perugia during this time period. The speaker notes the presence of artists and musicians, as well as the city's rich history and tradition of learning. The overall tone of the poem is one of nostalgia and appreciation for the beauty of art and human expression.
By John Greenleaf Whittier · First published 1828 · Genre: Political Poetry, Historical Poetry, Social Commentary · 930 words
"The thing which has the most dissevered the people from the Pope, -- the unforgivable thing, -- the breaking point between him and them, -- has been the encouragement and promotion he gave to the officer under whom were executed the slaughters of Perugia. That made the breaking point in many honest hearts that had clung to him before. " -- HARRIET BEECHER STOWE'S Letters from Italy.
The tall, sallow guardsmen their horsetails have spread, Flaming out in their violet, yellow, and red; And behind go the lackeys in crimson and buff, And the chamberlains gorgeous in velvet and ruff; Next, in red-legged pomp, come the cardinals forth, Each a lord of the church and a prince of the earth.
From Perugia is listed on Textopian as a short story by John Greenleaf Whittier, dated 1828 CE.
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Poetry · American Literature · 19th Century · Free Verse · Nature Poetry · Italian Setting · Travel Writing · Autobiographical Elements · Romanticism · Imagery Rich · Symbolic Language · Emotional Depth