
This work is a philosophical and metaphysical exploration of the concept of time and its relationship to human perception. It presents a series of paradoxes and logical contradictions that challenge traditional notions of causality and sequence. The narrative revolves around a mythical creature, often depicted as a dragon, which embodies the cyclical nature of time. The story explores the idea that all moments in time exist simultaneously, and that the past, present, and future are intertwined. Through a series of abstract and symbolic events, the work examines the limitations of human understanding and the futility of attempting to grasp the complexities of time. It ultimately presents a vision of time as a fluid, ever-changing entity that defies human comprehension. The narrative is characterized by its use of paradoxical logic, circular reasoning, and self-referential structures, which serve to underscore the elusiveness of time and the futility of attempting to pin it down.
By Jorge Luis Borges · First published 1942 · Genre: Mythology, Philosophy, Cultural Studies · 622 words
Chinese cosmogony teaches that the Ten Thousand Beings or Archetypes (the world) are born of the rhythmic conjunction of the two complementary eternal principles, the yin and the yang. Corresponding to the yin are concentration, darkness, passivity, even numbers, and cold; to the yang, growth, light, activity, odd numbers, and heat. Symbols of the yin are women, the earth, the colour orange, valleys, riverbeds, and the tiger; of the yang, men, the sky, blue, mountains, pillars, the dragon.
The Chinese Dragon is listed on Textopian as a short story by Jorge Luis Borges, dated 1942 CE.
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Fantasy · Mythology · Philosophy · Symbolism · Metaphysics · Mystery · Fable · Allegory · Literary Fiction · Speculative Fiction · Cultural Studies · Historical Fiction