The Meeting by Jorge Luis Borges

Name: The Meeting
Author: Jorge Luis Borges

The story revolves around a man who attends a meeting where he encounters various versions of himself from different timelines and realities. Each version represents a possible outcome of his life choices, and they engage in conversations that reveal the complexities of free will and determinism. The narrative explores the concept of multiple parallel universes and the idea that every decision creates a new reality.

By Jorge Luis Borges · First published 1954 · Genre: Magical Realism, Historical Fiction, Crime · 2,779 words

First lines

To Susana Bombal

What this Textopian page supports

The Meeting is listed on Textopian as a short story by Jorge Luis Borges, dated 1954 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Short story
Author: Jorge Luis Borges
Date: 1954 CE
Language: English
Genres: Magical Realism, Historical Fiction, Crime, Psychological Fiction, Philosophical Fiction
Length: 2,779 words
Structure: 1 section, 27 paragraphs
Reading fit: Easy (6th Grade)

Good citation fit

Work identity for The Meeting by Jorge Luis Borges
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Genre and topic classification from the Textopian catalog
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Discussion starters

What should a reader notice first when entering The Meeting?
How does this short story by Jorge Luis Borges fit its genre, period, or classroom use?
Where does Magical Realism first become important in the reading?

Similar titles

Genres

Magical Realism — The narrative blurs the line between reality and fantasy, suggesting that the knives themselves may have a life and history beyond their wielders.
Historical Fiction — The story is set in a specific historical context, around 1910, and references real cultural elements and historical events.
Crime — The plot revolves around a violent confrontation and the subsequent cover-up, typical elements of crime fiction.
Psychological Fiction — The narrative delves into the psychological states of the characters, particularly the narrator's reflections on the event and its implications.