
The narrative follows a clerk, who works at a Central Registry, where he is surrounded by the records of births, marriages, and deaths. He is a solitary figure, often overlooked and underappreciated, with a peculiar obsession for collecting clippings about famous people. His mundane life takes a turn when he becomes fixated on an unknown woman whose birth record he accidentally discovers among the files. This leads him to embark on a quest to uncover her identity, driven by a desire to know more about her life. As he delves deeper into his investigation, he faces various challenges, including his own fears and insecurities, particularly his fear of heights, which complicates his tasks at work. His obsession grows, leading him to break into the school where the woman once studied, hoping to find more records about her. The act of breaking in is fraught with anxiety, as he grapples with the moral implications of his actions and the fear of being caught. Throughout his journey, he interacts with various characters, including a kind elderly woman who serves as the unknown woman's godmother, and a nurse who tends to him when he falls ill. These interactions reveal his loneliness and the complexities of human relationships, as he navigates the boundaries between his professional duties and personal desires. As he continues his search, he becomes increasingly aware of the absurdity of his situation, reflecting on the nature of fame, identity, and the human experience. His quest is not just about finding the woman but also about understanding himself and the connections that bind people together. The narrative explores themes of isolation, the search for meaning, and the impact of bureaucracy on individual lives. Ultimately, the clerk's journey is a poignant exploration of the human condition, highlighting the struggles of an ordinary man seeking to make sense of his existence in a world dominated by records and regulations. His quest for the unknown woman becomes a metaphor for the search for connection and understanding in a fragmented society.
By José Saramago · First published 1997 · Genre: Literary Fiction, Magical Realism, Philosophical Fiction · 19 chapters · 99,113 words
Above the door frame is a long, narrow plaque of enamelled metal. The black letters set against a white background say Central Registry of Births, Marriages and Deaths. Here and there the enamel is cracked and chipped. The door is an old door, the most recent layer of brown paint is beginning to peel, and the exposed grain of the wood is reminiscent of a striped pelt. There are five windows along the facade. As soon as you cross the threshold, you notice the smell of old paper.
All the Names is listed on Textopian as a novel by José Saramago, dated 1997 CE.
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identity · memory · existentialism · bureaucracy · fate · love · isolation · search · death · humanity · names · destiny