
This collection explores the poet's use of imagery and symbolism to convey themes of nature, spirituality, and social justice. It examines how Hopkins' unique style, characterized by dense allusions and complex syntax, contributes to his exploration of these themes. The book also discusses the historical context in which Hopkins wrote, including the influence of Catholicism and the Victorian era's social and cultural norms.
By Joyce Kilmer · First published 1918 · Genre: Religious Poetry, Mystical Poetry, Lyric Poetry · 1,278 words
That Gerard Hopkins is to-day little known, even among rhymers, is an inevitable result of his manner of life and work. He was a priest of the Catholic Church and a member of the Society of Jesus. His faith was the source of his poetry, but his arduous labors in its service left him little time for celebrating it in verse, and made him so indifferent to applause that he never published. Sir Arthur Quiller-Couch put his "The Starlight Night" in the "Oxford Book of Victorian Verse," and he is represented in Orby Shipley's "Carmina Mariana" and H. C. Beeching's "Lyra Sacra. " Several of his poems are included in Volume VIII of "Poets and Poetry of the Century" with a critique by his friend Robert Bridges, and Miss Katherine Bregy has made him the subject of an illuminative essay in her admirable book "The Poet's Chantry. " A scant bibliography indeed for a genuinely inspired poet, the most scrupulous word-artist of the nineteenth century!
The Poetry of Gerard Hopkins is listed on Textopian as an essay by Joyce Kilmer, dated 1918 CE.
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Poetry Collection · Gerard Manley Hopkins · Victorian Era · Christian Poetry · Symbolism · Imagery · Metaphor · Alliteration · Assonance · Onomatopoeia · Free Verse · Innovative Style