The Worker in Sandal-Wood

The Worker in Sandal-Wood

The narrative unfolds in a small village where a young boy named Hyacinthe, clumsy and neglected, works in a workshop under the harsh supervision of Pierre L'Oreillard, a cabinet-maker. One day, Pierre brings in a rare and fragrant sandalwood, intended for a cabinet for Madame, a wealthy local woman. Hyacinthe, despite his rough treatment and lack of affection, possesses a remarkable talent for carving, which he hopes to apply to this precious wood. As Christmas approaches, Hyacinthe is tasked with completing the cabinet, but he struggles under the pressure of Pierre's demands and his own insecurities. On Christmas Eve, feeling overwhelmed and despondent, he contemplates his loneliness and the absence of love in his life. In a moment of despair, he hears a gentle knock at the door and meets a mysterious stranger, a boy who appears to be both young and ancient, with quiet, comforting eyes. The stranger enters and brings warmth to the cold workshop. He shares stories of his childhood in a vibrant land filled with beauty, which captivates Hyacinthe and distracts him from his work. The stranger offers to help with the cabinet, and despite his initial reluctance, Hyacinthe allows him to assist. As they work together, the atmosphere shifts; the scent of sandalwood deepens, and Hyacinthe feels a sense of peace and companionship. As Hyacinthe drifts into a dreamlike state, he envisions the stranger's hands bringing the cabinet to life, carving exquisite birds and lilies from the wood. The boy's presence transforms the workshop into a place of magic and beauty. Eventually, the stranger finishes the work, leaving Hyacinthe in a state of wonder and gratitude. When morning arrives, Hyacinthe awakens to find the cabinet completed, adorned with the intricate carvings that he had only dreamed of. The sun rises, illuminating the workshop and filling it with golden light. The little sparrow, which the stranger had saved, emerges from the shavings, symbolizing hope and renewal. Hyacinthe, filled with joy and a sense of divine visitation, reflects on the miraculous events of the night. He recognizes the beauty of the cabinet and the kindness of the stranger, who has brought him a moment of grace amidst his struggles. The story concludes with Hyacinthe's realization of the transformative power of love and artistry, leaving readers to ponder the nature of belief and the presence of the extraordinary in everyday life.

By Marjorie Pickthall · First published 1903 · Genre: Literary Fiction, Coming-of-Age, Magical Realism · 3,910 words

First lines

I like to think of this as a true story, but you who read may please yourselves, siding either with the curé, who says Hyacinthe dreamed it all, and did the carving himself in his sleep, or with Madame. I am sure that Hyacinthe thinks it true, and so does Madame, but then she has the cabinet, with the little birds and the lilies carved at the corners. Monsieur le curé shrugs his patient shoulders; but then he is tainted with the infidelities of cities, good man, having been three times to Montreal, and once, in an electric car, to Sainte Anne. He and Madame still talk it over whenever they meet, though it happened so many years ago, and each leaves the other forever unconvinced. Meanwhile the dust gathers in the infinite fine lines of the little birds' feathers, and softens the lily stamens where Madame's duster may not go; and the wood, ageing, takes on a golden gleam as of immemorial sunsets: that pale red wood, heavy with the scent of the ancient East; the wood that Hyacinthe loved.

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The Worker in Sandal-Wood is listed on Textopian as a short story by Marjorie Pickthall, dated 1903 CE.

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Literary Fiction · Canadian Literature · 19th Century Setting · Social Commentary · Class Struggle · Industrialization · Poverty · Exploitation · Labor Rights · Feminism · Marriage · Family Dynamics

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