
An elderly apothecary, Dr. Dolliver, lives a solitary life with his great-granddaughter, Pansie, in a house adjacent to a graveyard. The doctor, once a respected figure in his community, now struggles with the weight of his age and the loss of his family. His only companion is Pansie, a lively child who brings him joy and a sense of purpose. The narrative explores themes of aging, memory, and the passage of time, as the doctor reflects on his life and the many loved ones he has lost. One day, after taking a sip of a mysterious cordial left by his deceased grandson, the doctor feels invigorated and decides to engage more actively with life. He tends to his garden, which includes a row of exotic herbs that his late mentor, Dr. Swinnerton, had planted. These herbs are said to possess miraculous properties, but the doctor has never dared to use them, fearing their unknown effects. As the story unfolds, the doctor’s health appears to improve, and he begins to feel a renewed sense of vitality. However, this newfound energy is juxtaposed with the looming presence of death, as he frequently contemplates the graves surrounding his home. The narrative delves into the doctor’s internal struggles, revealing his fears of mortality and his desire to protect Pansie from the harsh realities of life. The plot thickens with the arrival of Colonel Dabney, a cantankerous old man who believes he has a claim to the doctor’s cordial. The colonel’s aggressive demeanor and obsession with the potion create tension, culminating in a confrontation where he demands the doctor hand over the elixir. In a fit of rage, the colonel consumes a large quantity of the cordial, leading to his sudden death. The doctor, horrified by the event, grapples with guilt and the implications of the colonel's demise. The story concludes with the doctor reflecting on the nature of life and death, the fragility of existence, and the bittersweet moments shared with Pansie. The narrative encapsulates the complexities of aging, the search for meaning, and the enduring bonds of family, ultimately leaving readers to ponder the delicate balance between life and death.
By Nathaniel Hawthorne · First published 1864 · Genre: Romance, Gothic Fiction, Psychological Fiction · 3 chapters · 18,062 words
Dr. Dolliver, a worthy personage of extreme antiquity, was aroused rather prematurely, one summer morning, by the shouts of the child Pansie, in an adjoining chamber, summoning old Martha (who performed the duties of nurse, housekeeper, and kitchen-maid, in the Doctor's establishment) to take up her little ladyship and dress her. The old gentleman woke with more than his customary alacrity, and, after taking a moment to gather his wits about him, pulled aside the faded moreen curtains of his ancient bed, and thrust his head into a beam of sunshine that caused him to wink and withdraw it again. This transitory glimpse of good Dr. Dolliver showed a flannel night-cap, fringed round with stray locks of silvery white hair, and surmounting a meagre and duskily yellow visage, which was crossed and criss-crossed with a record of his long life in wrinkles, faithfully written, no doubt, but with such cramped chirography of Father Time that the purport was illegible. It seemed hardly worth while for the patriarch to get out of bed any more, and bring his forlorn shadow into the summer day that was made for younger folks. The Doctor, however, was by no means of that opinion, being considerably encouraged towards the toil of living twenty-four hours longer by the comparative ease with which he found himself going through the usually painful process of bestirring his rusty joints (stiffened by the very rest and sleep that should have made them pliable) and putting them in a condition to bear his weight upon the floor.
The Dolliver Romance is listed on Textopian as a novel by Nathaniel Hawthorne, dated 1864 CE.
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Romance · Short Story · American Literature · 19th Century Fiction · Gothic Fiction · Supernatural Elements · Mystery · Psychological Thriller · Dark Fantasy · Literary Fiction · Symbolism · Allegory