
The poem presents a speaker who rejects conventional romantic comparisons often used in poetry. Instead of likening the beloved's features to celestial or natural elements, the speaker asserts a preference for honesty over flattery. The speaker emphasizes a disdain for clichéd metaphors, suggesting that true admiration does not require embellishment. The tone is playful yet assertive, as the speaker values authenticity and expresses a desire to appreciate beauty in its own right, rather than through tired tropes. The work critiques the tendency of poets to resort to overused imagery, advocating for a more genuine expression of affection. The speaker's refusal to engage in such comparisons highlights a commitment to sincerity in relationships, suggesting that true beauty deserves recognition without the need for exaggerated praise. The poem ultimately champions a straightforward approach to love and admiration, valuing the unique qualities of the beloved without the need for artificial adornment.
By Oliver Herford · First published 1910 · Genre: Poetry, Lyric, Satire · 118 words
Permit me, madame, to declare / That I never will compare / Eyes of yours to Starlight cold, / Or your locks to Sunlight's gold, / Or your lips, I'd have you know, / To the crimson Jacqueminot.
Stuff like that's all very fine / When you get so much a line; / Since I don't, I scorn to tell / Flattering lies. I like too well / Sun and Stars and Jacqueminot / To flatter them, I'd have you know.
Philosophical · Satirical · Poetic · Humorous · Social Commentary · Cultural Critique · Irony · Sarcasm · Fictionalized Nonfiction · Literary Device · Symbolism · Allegory
Truth is listed on Textopian as a poem by Oliver Herford, dated 1910 CE.
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