Phyllis Bottome

Phyllis Bottome (1882–1963) Phyllis Bottome was a British novelist, short story writer, and biographer, best known for her psychologically astute fiction and her early, prescient warnings about Nazism. Life Born in Rochester, Kent, in 1882, to an English clergyman father and an American mother, she spent parts of her childhood in the United States before returning to England. She began writing early, publishing her first novel in her teens. During and after World War I she worked with Belgian refugees and later, crucially, spent extended periods in Austria and Germany, including Kitzbühel, where she and her husband ran a school. There she became close with Alfred Adler, the Viennese psychiatrist, whose theories of individual psychology deeply shaped her fiction — she later wrote his biography, Alfred Adler: A Biography (1939). Career and major works Bottome published over 30 novels across a career spanning six decades. Her most famous novel, The Mortal Storm (1937), is a searing portrait of a German family torn apart by the rise of Nazism, written while she was living in Austria and witnessing the political catastrophe firsthand. It was adapted into the acclaimed 1940 MGM film starring James Stewart and Margaret Sullavan, one of Hollywood's first openly anti-Nazi films. Other notable works include Old Wine (1925), Private Worlds (1934) — also filmed, exploring mental illness and psychiatry — and The Life Line (1946), about wartime espionage. Themes and reputation Her fiction consistently engaged with psychology, feminism, and the moral pressures of political upheaval, reflecting her Adlerian interests and her direct experience of interwar Europe. She mentored the young Ian Fleming in Kitzbühel, encouraging his writing years before the Bond novels. Though widely read and commercially successful in her time, she is less remembered today than some contemporaries, but The Mortal Storm remains her enduring legacy as a document of anti-fascist literature. She died in 1963 in Hampshire, England.

3 works on Textopian

Works by Phyllis Bottome