
The work explores themes of love, time, and the transient nature of beauty. It begins with a reflection on the inevitability of decay and the passage of time, suggesting that beauty is fleeting and ultimately succumbs to fate. The speaker grapples with the notion that love, once vibrant, can fade and become unrecognizable, as time erodes its essence. The poem contrasts the relentless march of time with a defiance against its power. The speaker asserts that true love transcends temporal constraints, rejecting the idea that love can be diminished by time or distance. This defiance is a central motif, as the speaker claims that love remains constant despite external forces that threaten to alter it. The imagery of spring and winter symbolizes the cyclical nature of love and life, with spring representing renewal and vitality, while winter embodies desolation and loss. The speaker's conviction that love can withstand the trials of time and space serves as a powerful assertion of its enduring nature. Ultimately, the work presents a philosophical meditation on the nature of love, challenging conventional perceptions of its fragility. It posits that true love exists beyond the confines of time and space, suggesting a deeper, more profound connection that defies the limitations imposed by the physical world. The speaker's resolute stance against the inevitability of change underscores a belief in the permanence of love, even in the face of life's transitory nature.
By Robert Graves · First published 1938 · Genre: Poetry, Romanticism, Philosophical · 237 words
"_Beauty dwindles into shadow, Beauty dies, preferred by Fate, Past the rescue of bold thought. Sentries drowsed_," they say, "_at Beauty's gate_."
"_Time duteous to his hour-glass, Time with unerring sickle, Garners to a land remote Where your vows of true love are proved fickle._"
"_Love chill upon her forehead, Love fading from her cheek, Love dulled in either eye, With voice of love_," they say, "_no more to speak_."
I deny to Time his terror; Come-and-go prevails not here; Spring is constant, loveless winter Looms, but elsewhere, for he comes not near.
Against Clock and Compasses is listed on Textopian as a poem by Robert Graves, dated 1938 CE.
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poetry · love · time · space · beauty · fate · mortality · existentialism · romanticism · philosophy · nature · loss