Faun by Robert Graves (1948)

Name: Faun
Author: Robert Graves

The narrative centers on a deity, King Faun, who embodies the spirit of nature and pastoral life. Initially, he is depicted as a joyful and carefree figure, reveling in his domain, celebrating freedom and the beauty of the natural world. His exuberance is palpable as he sings and leaps through the landscape, asserting his identity and connection to the earth. However, this idyllic existence is shattered by the intrusion of humanity. The encroachment of people leads to the desecration of his sacred spaces, symbolized by the pollution of his brook and the theft of his strawberries. This violation brings about a profound sense of loss and sorrow for Faun, transforming his joy into despair. He laments the destruction of his sanctuary and the disregard for the natural order, expressing his grief through tears and a sense of abandonment. The work explores themes of nature versus civilization, the fragility of the natural world, and the emotional turmoil experienced by a being who represents the essence of the wild. Faun's transformation from a figure of joy to one of desolation highlights the impact of human actions on the environment and the spiritual connection that exists between nature and its guardians. As the narrative unfolds, Faun grapples with his identity and purpose in a world that no longer respects his domain. His cries reflect a deeper existential crisis, questioning the meaning of his existence in the face of overwhelming change. The juxtaposition of his former vitality against his current sorrow serves as a poignant commentary on the loss of innocence and the inevitable consequences of human encroachment on the natural world. Ultimately, the work serves as a meditation on the relationship between humanity and nature, urging a reflection on the responsibilities that come with coexistence. Faun's plight becomes a symbol of the broader struggle to preserve the sanctity of the environment amidst the relentless advance of civilization. The narrative invites readers to consider the cost of progress and the importance of honoring the delicate balance that sustains life.

By Robert Graves · First published 1948 · Genre: Poetry, Mythology, Fantasy · 165 words

First lines

Here down this very way, / Here only yesterday / King Faun went leaping. / He sang, with careless shout / Hurling his name about; / He sang, with oaken stock / His steps from rock to rock / In safety keeping, / "Here Faun is free, / Here Faun is free!"

Today against yon pine, / Forlorn yet still divine, / King Faun leant weeping. / "They drank my holy brook, / My strawberries they took, / My private path they trod. " / Loud wept the desolate God, / Scorn on scorn heaping, / "Faun, what is he, / Faun, what is he? "

Open reader

What this Textopian page supports

Faun is listed on Textopian as a poem by Robert Graves, dated 1948 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Poem
Author: Robert Graves
Date: 1948 CE
Language: English
Genres: Poetry, Mythology, Fantasy, Nature Writing, Lyric
Length: 165 words
Structure: 1 section, 2 paragraphs

Good citation fit

Work identity for Faun by Robert Graves
Canonical title URL and first readable passage URL
Genre and topic classification from the Textopian catalog
Readability and classroom-planning context
Passage-specific claims should cite the exact /read/ URL for the relevant chapter or paragraph

Similar titles

Genres

Poetry — The work is written in verse, employing rhythmic and lyrical language typical of poetry.
Mythology — The character of King Faun draws from mythological themes, exploring the nature of gods and their interactions with the world.
Fantasy — The narrative features fantastical elements, including a divine character and a magical setting.
Nature Writing — The poem reflects a deep connection to nature, emphasizing the beauty and sanctity of the natural world.