In the Metropolitan Museum
The poem explores a moment of intimacy and connection between two individuals within the serene confines of a museum, specifically in a space reminiscent of the Pantheon. The setting serves as a refuge from the chaos of the outside world, akin to ships seeking shelter from turbulent seas. The speaker reflects on the weight of history and time, feeling enveloped by the presence of ancient centuries that momentarily transport them away from the present. As they share this quiet moment, the light filtering through the dome highlights the beauty of the other person’s face, enhancing the emotional depth of their experience. The speaker acknowledges that their connection transcends geographical boundaries, suggesting a bond that reaches beyond the immediate surroundings to a more profound, timeless realm. This moment is punctuated by a gesture of affection—a kiss—that brings them back to the present, grounding their experience in the here and now. The poem juxtaposes the eternal nature of art and history with the fleeting, yet significant, moments of human connection. It emphasizes the power of shared experiences in transcending time and space, allowing individuals to find solace and meaning amidst the chaos of life. The imagery evokes a sense of reverence for both the art that surrounds them and the relationship they share, highlighting the interplay between the past and the present. The work ultimately celebrates the beauty of love and the transformative power of art in creating moments of profound connection.
By Sara Teasdale · First published 1916 · Genre: Lyric Poetry, Romanticism, Imagism · 107 words
First lines
Within the tiny Pantheon We stood together silently, Leaving the restless crowd awhile As ships find shelter from the sea.
The ancient centuries came back To cover us a moment's space, And thro' the dome the light was glad Because it shone upon your face.
Ah, not from Rome but farther still, Beyond sun-smitten Salamis, The moment took us, till you stooped To find the present with a kiss.
What this Textopian page supports
In the Metropolitan Museum is listed on Textopian as a poem by Sara Teasdale, dated 1916 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Poem
- Author: Sara Teasdale
- Date: 1916 CE
- Language: English
- Genres: Lyric Poetry, Romanticism, Imagism, Modernism, Nature Poetry
- Length: 107 words
- Structure: 1 section, 3 paragraphs
- Reading fit: Standard (8th-9th Grade)
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- Work identity for In the Metropolitan Museum by Sara Teasdale
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Discussion starters
- What should a reader notice first when entering In the Metropolitan Museum?
- How does this poem by Sara Teasdale fit its genre, period, or classroom use?
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Genres
- Lyric Poetry — The poem expresses personal emotions and reflections, characteristic of lyric poetry.
- Romanticism — Themes of love and beauty are central, aligning with Romantic ideals.
- Imagism — The vivid imagery and focus on a moment in time reflect Imagist principles.
- Modernism — The poem's structure and themes exhibit modernist characteristics, exploring new forms of expression.
Tags
art · museum · silence · intimacy · time · memory · light · nature · love · history · reflection · beauty