
The narrative unfolds through the recollections of a narrator recounting a tale from his grandfather about a priest, a blacksmith, and a woman who served as the priest's housekeeper. The priest, a secular figure, and the blacksmith share a close friendship, with the blacksmith often suggesting that the priest dismiss his housekeeper. However, the priest always finds excuses to keep her. One night, the blacksmith is awakened by a loud knocking at his door. He discovers two unknown men with a mule, claiming it belongs to the priest and needs to be shod urgently due to the priest's sudden journey. Trusting his compadre, the blacksmith shoos the mule without hesitation. Afterward, he hears the men cruelly beating the mule as they leave, which troubles him. The next morning, the blacksmith visits the priest to inquire about the mule and the strange men. To his shock, the priest denies sending the mule and laughs at the blacksmith for being tricked. Concerned for the housekeeper, they enter her room, only to find her dead, with iron shoes nailed to her hands and feet, identical to those he had placed on the mule. The marks of beating on her body reveal the horrific truth: she had been transformed into a mule by demonic forces. Realizing the gravity of the situation and his role in it, the priest flees and is never seen again. The blacksmith, burdened by guilt, lives the rest of his life in sorrow, haunted by the tragic fate of the woman. The story serves as a cautionary tale about the consequences of neglect and the supernatural retribution that follows.
By Thomas A. Janvier · First published 1896 · Genre: Gothic Fiction, Magical Realism, Folklore · 1,024 words
I do not know when this matter happened, Senor; but my grandfather, who told me about it, spoke as though all three of them -- the priest, and the blacksmith, and the woman -- had lived a long while before his time. However, my grandfather said that the priest and the woman, who was his housekeeper, pretty certainly lived in a house -- it is gone now, Senor -- that was in the street that is called the Puerta Falsa de Santo Domingo. And he said that the blacksmith certainly did live in a house in the Calle de las Rejas de la Balvanera -- because he himself had seen the house, and had seen the farrier's knife and the pincers cut on the stone arching above the door. Therefore you perceive, Senor, that my grandfather was well acquainted with these people, and that this story is true.[5]
Of La Mujer Herrada is listed on Textopian as a short story by Thomas A. Janvier, dated 1896 CE.
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historical fiction · Western · adventure · romance · cultural identity · female protagonist · Mexican culture · American West · conflict · family dynamics · identity · betrayal