The narrative follows a talented painter, a sinner named Don Simon Peyrens, who initially rejects the notion of creating sacred art, viewing it as foolishness. His disdainful attitude leads to his imprisonment by the Inquisition after he publicly blasphemes against the sacred competition for a painting of Our Lady of Mercy. Despite the pressure from the Church, Peyrens remains obstinate, refusing to repent or comply with their demands, even destroying the materials provided for the painting. As Peyrens languishes in his cell, a miraculous event occurs: he is visited by the apparition of Our Lady of Mercy, who gently questions his lack of love for her. This encounter transforms him, melting his hardened heart and inspiring him to create a painting of her. Despite having no canvas, he ingeniously decides to paint on the door of his cell, using the divine light and fragrance that accompany the vision. Throughout the night, Peyrens paints fervently, and by morning, he has completed a stunning image of Our Lady, the most beautiful ever created. The Archbishop and the Cathedral Chapter, upon witnessing the miraculous painting, are compelled to venerate it. They declare Peyrens deserving of both freedom and the prize for the competition, absolving him of his sins through the intercession of Our Lady. The painting is then framed and placed on the Altar del Perdon, becoming its centerpiece and securing Peyrens' redemption. The story concludes with the assertion that the miraculous image still exists, serving as a testament to the transformative power of faith and divine grace.
By Thomas A. Janvier · First published 1894 · Genre: Religious Fiction, Historical Fiction, Fantasy