De Quincey's Portrait

De Quincey's Portrait

The work begins with a discussion of a portrait, specifically an engraved version derived from a daguerreotype, which the author finds satisfactory. He humorously reflects on the nature of portraits and the role of the sun in creating them, suggesting that the sun's accuracy can be questioned. The author expresses gratitude for the portrait and addresses the editor's request for a chronological account of his life, deeming such accounts tedious and uninteresting. Instead, he proposes to share a specific childhood experience that holds significance, emphasizing that the value lies in the experience itself rather than in his identity. He aims to detach the narrative from personal vanity, suggesting that the incidents could be engaging regardless of the individual involved. The author acknowledges his struggles with writing due to a nervous condition, which affects his ability to express thoughts clearly. The narrative then shifts to a whimsical apology for not completing a previous sketch from childhood, addressing reader complaints about the lack of resolution. He reflects on the obligations of a writer to fulfill narrative expectations but distinguishes between a complete story and a sketch, which he argues can remain fragmentary. The author humorously defends his procrastination, suggesting that reader interest in his work is a compliment, and he welcomes the pressure to continue writing. He concludes by acknowledging the challenge of providing a satisfactory ending to a sketch that recounts childhood incidents, recognizing that a definitive conclusion may not be necessary. The work ultimately serves as a reflection on memory, identity, and the nature of storytelling, blending humor with introspection.

By Thomas de Quincey · First published 1853 · Genre: Autobiography, Essay, Memoir · 2,313 words

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The only one which can be considered satisfactory is that of which a copy is prefixed to these Volumes. It is from a steel engraving by Frank Croll, taken at Edinburgh from a daguerreotype by Howie in 1850.

DE QUINCEY'S own opinion of it is expressed to me in the amusing letter which was published in _The Instructor_ (New Series, vol. vi. p. 145).

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De Quincey's Portrait is listed on Textopian as an essay by Thomas de Quincey, dated 1853 CE.

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literary criticism · autobiography · romanticism · opium · addiction · psychology · identity · self-reflection · 19th century · English literature · philosophy · imagination

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