
The work contrasts two distinct types of residences and their inhabitants, exploring themes of social class, materialism, and the nature of true fulfillment. The first residence, an old house with ivy-covered walls and worn windows, symbolizes tradition and the weight of history. Its inhabitants are depicted as being consumed by material concerns, suggesting a life devoid of deeper meaning or artistic aspiration. In contrast, the second residence, described as a modern villa, represents a more contemporary lifestyle characterized by creativity and intellectual pursuits. The family living there engages in artistic activities, indicating a richer inner life filled with dreams and aspirations. This juxtaposition highlights the tension between the old and the new, as well as the differing values associated with each. Philosophers and passersby comment on the two homes, romanticizing the old mansion while dismissing the villa as vulgar. This reflects societal attitudes towards wealth and artistic merit, suggesting that external appearances can mislead perceptions of value and worth. The work ultimately critiques the superficial judgments made by society, advocating for a deeper understanding of what constitutes a meaningful life. Through vivid imagery and contrasting lifestyles, the narrative invites readers to reflect on the true essence of fulfillment, questioning whether it lies in material wealth or in the pursuit of art and personal expression. The exploration of these themes serves as a commentary on the complexities of human existence and the often misguided values that shape societal views.
By Thomas Hardy · First published 1917 · Genre: Poetry, Literary Fiction, Social Commentary · 149 words
I. THERE is a house with ivied walls, / And mullioned windows worn and old, / And the long dwellers in those halls / Have souls that know but sordid calls, / And daily dote on gold.
II. In blazing brick and plated show / Not far away a "villa" gleams, / And here a family few may know, / With book and pencil, viol and bow, / Lead inner lives of dreams.
III. The philosophic passers say, / "See that old mansion mossed and fair, / Poetic souls therein are they: / And O that gaudy box! Away, / You vulgar people there. "
Architectural Masks is listed on Textopian as a poem by Thomas Hardy, dated 1917 CE.
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architecture · masks · identity · society · human nature · symbolism · cultural critique · psychology · social commentary · art · deception · perception