The Shells

The Shells by Virna Sheard (1919)

A narrative set against the backdrop of impending, cataclysmic conflict, this work follows a protagonist who is both compelled and tormented by the call to create instruments of divine warfare. Deeply steeped in vivid, apocalyptic imagery, the story juxtaposes beauty and horror, combining themes of spiritual fervor with the grim realities of mechanized death. The narrative centers on a woman whose skilled manipulation of shining metal produces deadly armaments—a process that is both a work of art and an act of sacrilege. Her creations, characterized as brilliant, comet-like weapons, are destined to bring fear, destruction, and a trail of blood as they disrupt the natural order of life and death. The protagonist is overcome by powerful internal emotions: awe, terror, and a resolute duty to heed an extraordinary command. As supernatural voices urge her to rise and arm a host of the “lovely and the strong” under a divine mandate, she experiences a profound internal transformation. The call to produce these weapons blurs the lines between human agency and divine intervention, suggesting that her every action is part of a preordained cosmic struggle. Her heart, once brave and full of life, is depicted as both the source of immense creative power and a victim of the overwhelming responsibility that comes with channeling forces capable of irrevocable destruction. Throughout the narrative, the imagery of light and sound—bright, almost blinding radiance and deafening weaponry—serves to underscore the apocalyptic nature of her mission. The weapons are not mere tools of war but symbols of a much larger, metaphysical combat between good and evil, order and chaos. Each blade forged and each explosive charge laid down carries with it the weight of destiny, as the protagonist confronts the dual potentials of human ingenuity: the capacity to create beauty and the power to unleash devastating destruction. Embedded in the text is a meditation on the nature of sacrifice and the inevitable conflation of the sacred with the profane. There is an implied tension in her work between the purity of a divine command and the corruptibility of human endeavor—an inner conflict that is palpably felt as she alternates between the terror of her actions and the steely determination required to carry them out. The narrative crafts a landscape where the divine operates not in gentle benevolence but in a ferocious, all-consuming manner, mandating that every act of creation in its service is also an act of mortal consequence. Ultimately, the work portrays a transformation where the protagonist's personal identity dissolves into a larger, almost inhuman collective purpose. Her journey portrays the painful recalibration of self as she becomes an instrument in a cosmic battle, symbolizing a broader commentary on the intersection of technology, war, and divine will in an age of escalating conflict. The narrative leaves readers contemplating whether the divine mandate is a justification for the horrific means or if it signifies an unavoidable, tragic descent into the very heart of human and cosmic annihilation.

By Virna Sheard · First published 1919 · Genre: Epic Poetry, War Poetry, Religious Poetry · 336 words

First lines

O my brave heart! O my strong heart! My sweet heart and gay, / The soul of me went with you the hour you marched away, / For surely she is soulless, this woman white, and still, / Who works with shining metal to make the things that kill.

I tremble as I touch them, -- so strange they are, and bright; / Each one will be a comet to break the purple night; -- / Grey Fear will ride before it, and Death will ride behind: / The sound of it will deafen, -- the light of it will blind!

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The Shells is listed on Textopian as a poem by Virna Sheard, dated 1919 CE.

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fiction · novel · family drama · historical · romance · coming-of-age · social commentary · character study · psychological · introspection · culture · identity

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