
The story follows a voyage on a schooner where the skipper introduces a new passenger—a reformed, hard-lived man with a notorious past who now fervently preaches moral reform and piety. The new man, known for his former misadventures in English jails, arrives as a member of a religious mission and quickly begins to influence the crew. While the skipper extols his virtues, recounting the remarkable transformation and generous, unconventional methods of spiritual work, the mate expresses bitter skepticism and resentment toward the influence of such a character and what he sees as misplaced religious fancy. Shortly after his arrival, tensions escalate when the mate, provoked by the new man’s recommendations and the crew’s enthusiastic reception, brings alcohol aboard the cabin. A confrontation ensues: a whisky bottle is dramatically destroyed to prevent temptation, highlighting the clash between worldly pleasures and ascetic ideals. The new man responds to these events with a mix of humor and austere moralizing, urging the mate and the crew to abandon their reckless ways. His impassioned speeches, delivered during impromptu gatherings that replace customary life aboard the vessel, both amuse and enrage the crew. The men, though rough and fond of irreverence, react with an unexpected enthusiasm to his sermons. They participate eagerly in sing-alongs and mimic his moral lessons, all the while testing the limits of their own irreverence. The atmosphere onboard becomes one of comic yet sincere moral revival, as the crew adopts new, if sometimes farcical, habits in response to his exhortations. A pivotal incident occurs when a bag that once held a considerable sum of freight money is discovered to be mysteriously emptied. The skipper, disturbed by the loss and recalling the new man’s presence, suggests that only he could be responsible. However, the crew defends him vigorously, recounting how he generously distributed funds as rewards for their enthusiastic participation in the religious meetings—a gesture they interpret as genuine charity rather than theft. This exchange deepens the divide between the persisting cynicism of the mate and the growing admiration of the crew for their newfound spiritual guide. Throughout the narrative, the dialogue is marked by coarse maritime language and wry humor, serving as a vehicle to explore the tensions between traditional seafaring life and the intrusion of evangelical reform. The character of the new man embodies a duality: an individual whose past misdeeds and irreverent lifestyle contrast sharply with his present zeal for reform and kindness, challenging the crew’s preconceptions about sin, redemption, and what it means to lead a virtuous life. Ultimately, the story presents an ironic commentary on the transformative power of moral conviction—a force potent enough to disrupt the established order and even redeem those with the roughest exteriors. The onboard conflict, rendered with vivid, colloquial storytelling, underscores a persistent struggle between worldly common sense and the appeal of radical, if unconventional, benevolence.
By W.W. Jacobs · First published 1907 · Genre: Humorous Fiction, Nautical Fiction, Satire · 3,617 words
I've got a friend coming down with us this trip, George," said the master of the Wave, as they sat on deck after tea watching the river. "One of our new members, Brother Hutchins."
"From the Mission, I s'pose? " said the mate coldly.
Brother Hutchins is listed on Textopian as a short story by W.W. Jacobs, dated 1907 CE.
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classic · fiction · gothic · short story · British literature · dark humor · satire · supernatural · mystery · irony · horror · macabre