
The poem presents a dialogue with a sexton, urging him to cease his work of piling bones in a graveyard. The speaker reflects on the significance of the deceased, emphasizing their peaceful relationships in life. The imagery of a battlefield filled with skulls serves to highlight the weight of mortality and the shared experiences of love and loss among the dead. The speaker points out specific graves, illustrating the connections between the deceased—family members and friends who have passed away together. This evokes a sense of community in death, contrasting with the sexton's mechanical task of burial. The speaker implores the sexton to respect the sanctity of these relationships, suggesting that the dead should remain undisturbed in their resting places. The poem also draws a parallel between the sexton's role and that of a gardener, who nurtures life and beauty. The speaker acknowledges the sexton's duty but elevates it by suggesting that he oversees a "superior garden" of human emotions and connections. The plea culminates in a personal request: should the speaker outlive his beloved, he asks that their graves remain together, symbolizing an enduring bond even in death. Overall, the work explores themes of love, mortality, and the interconnectedness of human relationships, urging respect for the memories and legacies of those who have passed.
By William Wordsworth · First published 1827 · Genre: Elegy, Lyric Poetry, Romanticism · 290 words
Let thy wheel-barrow alone.
Wherefore, Sexton, piling still In thy Bone-house bone on bone?
'Tis already like a hill In a field of battle made, Where three thousand skulls are laid.
-These died in peace each with the other, Father, Sister, Friend, and Brother.
To a Sexton is listed on Textopian as a poem by William Wordsworth, dated 1827 CE.
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Poem · Nature · Death · Mortality · Loss · Grief · Sorrow · Reflection · Memory · Time · Ephemerality · Impermanence