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Colonel Wimpole looked positively old that evening when he went down to dinner with his sister and Sylvia. His face was drawn and weary and the lids hung a little, in small wrinkles; but down in his grey eyes there was a far-off gleam of danger-light.
Sylvia looked down when she met him, and she was very silent and grave at first. At dinner she sat between him and Miss Wimpole, and for some time she scarcely dared to glance at him. He, on his part, was too much preoccupied to speak much, and she thought he was displeased. Nevertheless, he was more than usually thoughtful for her. She understood by the way he sat, and even by the half-unconscious shrinking of the elbow next to her, that he was sorry for her. At table, seated close together, there is a whole language in one's neighbour's elbow and an unlimited power of expression in its way of avoiding collisions. Very perceptive people understand that. Primarily, in savage life, the bold man turns his elbows out, while the timid one presses them to his sides, as though not to give offence with them. Society teaches us to put on some little airs of timidity as a substitute for the modesty that few feel, and we accordingly draw in our elbows when we are near any one.