A Rose of Yesterday

Name: A Rose of Yesterday
Author: F. Marion Crawford

The story revolves around a young American woman, Angela, who travels to Italy with her aunt and becomes enamored with the country's history and art. She meets a mysterious Italian nobleman, Count Luigi, who is rumored to be involved in a tragic family feud. As Angela learns more about the count's past, she finds herself drawn into a complex web of love, loyalty, and revenge that spans generations.

By F. Marion Crawford · First published 1900 · Genre: Romance, Literary Fiction, Drama · 13 chapters · 57,733 words

First lines

"I wonder what he meant by it," said Sylvia, turning again in her chair, so that the summer light, softened and tinted by the drawn blinds, might fall upon the etching she held.

"My dear," answered Colonel Wimpole, stretching out his still graceful legs, leaning back in his chair, and slowly joining his nervous but handsome hands, "nobody knows."

What this Textopian page supports

A Rose of Yesterday is listed on Textopian as a novel by F. Marion Crawford, dated 1900 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Novel
Author: F. Marion Crawford
Date: 1900 CE
Language: English
Genres: Romance, Literary Fiction, Drama, Coming-of-Age, Historical Fiction
Length: 57,733 words
Structure: 13 chapters, 969 paragraphs
Reading fit: Easy (6th Grade)

Good citation fit

Work identity for A Rose of Yesterday by F. Marion Crawford
Canonical title URL and first readable passage URL
Genre and topic classification from the Textopian catalog
Readability and classroom-planning context
Passage-specific claims should cite the exact /read/ URL for the relevant chapter or paragraph

Discussion starters

What should a reader notice first when entering A Rose of Yesterday?
How does this novel by F. Marion Crawford fit its genre, period, or classroom use?
Where does Romance first become important in the reading?

Similar titles

Genres

Romance — The central plot revolves around the emotional and romantic tension between Sylvia and Colonel Wimpole, exploring themes of love, age, and societal expectations.
Literary Fiction — The writing style is introspective and character-driven, focusing on the psychological depth of the characters and their relationships.
Drama — The narrative contains significant emotional conflict and character development, highlighting personal struggles and societal norms.
Coming-of-Age — Sylvia's journey reflects her transition from youth to adulthood, grappling with love and identity.