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There came a man across the moor, Fell and foul of face was he, He left the path by the cross-roads three, And stood in the shadow of the door. MARY COLERIDGE.
She stood at her low window with its uneven, wavering glass, and looked out across the prairie. A little snow had fallen, not much, only enough to add a sense of desolation to the boundless plain, the infinite plain outside the four cramped walls of her log hut. The log hut was like a tiny boat moored in some vast, tideless, impassable sea. The immensity of the prairie had crushed her in the earlier years of her married life; but gradually she had become accustomed to it, then reconciled to it, at last almost a part of it. The grey had come early to her thick hair, a certain fixity to the quiet courage of her eyes. Her calm, steadfast face showed that she was not given to depression, but nevertheless this evening, as she stood watching for her husband's return, for the first distant speck of him where the cart-rut vanished into the plain, a sense of impending misfortune enfolded her with the dusk. Was it because the first snow had fallen? Ah me! how much it meant. It was as significant for her as the grey pallor that falls on a sick man's face. It meant the endless winter, the greater isolation instead of the lesser, the powerlessness to move hand or foot in that all-enveloping shroud; the struggle, not for existence -- with him beside her that was assured -- not for luxury, she had ceased to care for it, though he had not ceased to care for her sake, but for life in any but its narrowest sense. Books, letters, human speech, through the long months these would be almost entirely denied her.