Scaramouche by Rafael Sabatini

Diligent search among the many scenarios of the improvisers which have survived their day, has failed to bring to light the scenario of Les Fourberies de Scaramouche, upon which we are told the fortunes of the Binet troupe came to be soundly established. They played it for the first time at Maure in the following week, with André-Louis -- who was known by now as Scaramouche to all the company, and to the public alike -- in the title-role. If he had acquitted himself well as Figaro-Scaramouche, he excelled himself in the new piece, the scenario of which would appear to be very much the better of the two.

After Maure came Pipriac, where four performances were given, two of each of the scenarios that now formed the backbone of the Binet repertoire. In both Scaramouche, who was beginning to find himself, materially improved his performances. So smoothly now did the two pieces run that Scaramouche actually suggested to Binet that after Fougeray, which they were to visit in the following week, they should tempt fortune in a real theatre in the important town of Rédon. The notion terrified Binet at first, but coming to think of it, and his ambition being fanned by André-Louis, he ended by allowing himself to succumb to the temptation.