Baltasar and Blimunda by José Saramago

THE BASILICA OF Saint Peter in Rome has rarely been taken out of the chests in recent years. Contrary to what the ignorant populace believes, kings are just like ordinary men, they grow up, become more mature, and their tastes change as they become older, when their inclinations are not deliberately concealed in order to curry public favour, they are sometimes feigned out of political expediency. Besides, the wisdom of nations and the experience of individuals have shown that repetition makes for boredom. The Basilica of Saint Peter holds no further secrets for Dom João V. He could assemble and dismantle the entire model with his eyes shut, alone or assisted, starting from north to south, with the colonnade or the apse, piece by piece or section by section but the final result would always be the same, a wooden construction, a child's set of blocks, a place of pretence where real Masses will never be said, even though God is omnipresent.

What matters, however, is that a man should prolong himself in his offspring, and if it is true that in his anguish at the thought of old age or its imminent approach, man does not always relish seeing certain of his own actions repeated that were once a cause for public scandal or discord, it is no less true that a man is delighted when he can persuade his children to repeat some of his own gestures, his own attitudes, even his own words, thus appearing to recover some justification for what he himself has been and accomplished. His children, needless to say, keep up the pretence. By means of other signs, which were, it is hoped, clearer, Dom João V, having lost any desire to assemble the Basilica of Saint Peter, still found a way of reviving his interest indirectly and demonstrating in a single gesture his paternal and royal affection, by summoning his children, Dom José and Dona Maria Bárbara, to help him.