Death with Interruptions by José Saramago

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THE ENVELOPE WAS ON THE DIRECTOR-GENERAL'S DESK WHEN the secretary went into the office. It was violet-colored and, therefore, unusual, and the paper had been embossed to resemble the texture of linen. It looked rather antique and gave the impression that it had been used before. There was no address, neither the sender's, which does occasionally happen, nor the addressee's, which never happens, and it was found in an office whose locked door had just been opened, and through which no one could have entered during the night. When she turned the envelope over to see if there was anything written on the back, the secretary felt herself thinking, with a vague sense that it was absurd both to have thought or felt such a thing, that the envelope hadn't been there when she put the key in the lock and turned it. Ridiculous, she murmured, I must simply not have noticed it here when I left yesterday.

She glanced round the room to make sure everything was in order and then withdrew to her own desk. In her role as secretary, and a confidential secretary to boot, she had authorization to open that or any other envelope, especially since it bore no label indicating that it contained restricted information, nothing saying personal, private or secret, and yet she hadn't opened it, and she couldn't understand why. Twice she got up from her chair and opened the door of the office just a crack. The envelope was still there. I'm going crazy, she thought, it must be the color, I wish he would come now and put an end to the mystery. She was referring to her boss, the director-general of television, who was late. It was a quarter past ten when he finally arrived.

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