How the other Half Lives by Jacob Riis — Read

Certainly a picturesque, if not very tidy, element has been added to the population in the "assisted" Italian immigrant who claims so large a share of public attention, partly because he keeps coming at such a tremendous rate, but chiefly because he elects to stay in New York, or near enough for it to serve as his base of operations, and here promptly reproduces conditions of destitution and disorder which, set in the framework of Mediterranean exuberance, are the delight of the artist, but in a matter-of-fact American community become its danger and reproach. The reproduction is made easier in New York because he finds the material ready to hand in the worst of the slum tenements; but even where it is not he soon reduces what he does find to his own level, if allowed to follow his natural bent.7 The Italian comes in at the bottom, and in the generation that came over the sea he stays there. In the slums he is welcomed as a tenant who "makes less trouble" than the contentious Irishman or the order-loving German, that is to say: is content to live in a pigsty and submits to robbery at the hands of the rent-collector without murmur. Yet this very tractability makes of him in good hands, when firmly and intelligently managed, a really desirable tenant. But it is not his good fortune often to fall in with other hospitality upon his coming than that which brought him here for its own profit, and has no idea of letting go its grip upon him as long as there is a cent to be made out of him.

Recent Congressional inquiries have shown the nature of the "assistance" he receives from greedy steamship agents and "bankers," who persuade him by false promises to mortgage his home, his few belongings, and his wages for months to come for a ticket to the land where plenty of work is to be had at princely wages. The padrone -- the "banker," is nothing else -- having made his ten percent out of him en route, receives him at the landing and turns him to double account as a wage-earner and a rent-payer. In each of these roles he is made to yield a profit to his unscrupulous countryman, whom he trusts implicitly with the instinct of utter helplessness. The man is so ignorant that, as one of the sharpers who prey upon him put it once, it "would be downright sinful not to take him in. " His ignorance and unconquerable suspicion of strangers dig the pit into which he falls. He not only knows no word of English, but he does not know enough to learn. Rarely only can he write his own language. Unlike the German, who begins learning English the day he lands as a matter of duty, or the Polish Jew, who takes it up as soon as he is able as an investment, the Italian learns slowly, if at all. Even his boy, born here, often speaks his native tongue indifferently. He is forced, therefore, to have constant recourse to the middleman, who makes him pay handsomely at every turn. He hires him out to the railroad contractor, receiving a commission from the employer as well as from the laborer, and repeats the performance monthly, or as often as he can have him dismissed. In the city he contracts for his lodging, subletting to him space in the vilest tenements at extortionate rents, and sets an example that does not lack imitators. The "princely wages" have vanished with his coming, and in their place hardships and a dollar a day, beheft with the padrone's merciless mortgage, confront him. Bred to even worse fare, he takes both as a matter of course, and, applying the maxim that it is not what one makes but what he saves that makes him rich, manages to turn the very dirt of the streets into a hoard of gold, with which he either returns to his Southern home, or brings over his family to join in his work and in his fortunes the next season.