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There was only one thing for Cornelia to do now, and she did it as well as she knew how, or could hope to know without the help that she could not seek anywhere. She wrote to Ludlow and thanked him, and told him that she did not think she should go on with the picture of Charmian, for the present. She said, in the first five or six drafts of her letter, that it had been her uncertainty as to this which made her hesitate when he spoke to her, but in every form she gave this she found it false; and at last she left it out altogether, and merely assured him that she had nothing whatever to forgive him. She wished to forbid his coming to see her; she did not know quite how to do that; but either the tone of her letter was forbidding enough, or else he felt that he had done his whole duty, now, for he did not come.
With moments of utter self-abasement, she had to leave Charmian to the belief that she was distraught and captious, solely for the reason they shared the secret of, and Charmian respected this with a devotion so obvious as to be almost spectacular. Cornelia found herself turning into a romantic heroine, and had to make such struggle against the transformation as she could in bursts of hysterical gayety. These had rather the effect of deepening Charmian's compassionate gloom, till she exhausted her possibilities in that direction and began to crave some new expression. There was no change in her affection for Cornelia; and there were times when Cornelia longed to trust her fully; she knew that it would be safe, and she did not believe that it would lower her in Charmian's eyes; but to keep the fact of her weakness altogether her own seemed the only terms on which she could bear it.