The Possessed by Fyodor Dostoevsky

I am persuaded that Stepan Trofimovitch was terribly frightened as he felt the time fixed for his insane enterprise drawing near. I am convinced that he suffered dreadfully from terror, especially on the night before he started--that awful night. Nastasya mentioned afterwards that he had gone to bed late and fallen asleep. But that proves nothing; men sentenced to death sleep very soundly, they say, even the night before their execution. Though he set off by daylight, when a nervous man is always a little more confident (and the major, Virginsky's relative, used to give up believing in God every morning when the night was over), yet I am convinced he could never, without horror, have imagined himself alone on the high road in such a position. No doubt a certain desperation in his feelings softened at first the terrible sensation of sudden solitude in which he at once found himself as soon as he had left Nastasya, and the corner in which he had been warm and snug for twenty years. But it made no difference; even with the clearest recognition of all the horrors awaiting him he would have gone out to the high road and walked along it! There was something proud in the undertaking which allured him in spite of everything. Oh, he might have accepted Varvara Petrovna's luxurious provision and have remained living on her charity, "_comme un_ humble dependent." But he had not accepted her charity and was not remaining! And here he was leaving her of himself, and holding aloft the "standard of a great idea, and going to die for it on the open road." That is how he must have been feeling; that's how his action must have appeared to him.

Another question presented itself to me more than once. Why did he run away, that is, literally run away on foot, rather than simply drive away? I put it down at first to the impracticability of fifty years and the fantastic bent of his mind under the influence of strong emotion. I imagined that the thought of posting tickets and horses (even if they had bells) would have seemed too simple and prosaic to him; a pilgrimage, on the other hand, even under an umbrella, was ever so much more picturesque and in character with love and resentment. But now that everything is over, I am inclined to think that it all came about in a much simpler way. To begin with, he was afraid to hire horses because Varvara Petrovna might have heard of it and prevented him from going by force; which she certainly would have done, and he certainly would have given in, and then farewell to the great idea forever. Besides, to take tickets for anywhere he must have known at least where he was going. But to think about that was the greatest agony to him at that moment; he was utterly unable to fix upon a place. For if he had to fix on any particular town his enterprise would at once have seemed in his own eyes absurd and impossible; he felt that very strongly. What should he do in that particular town rather than in any other? Look out for _ce marchand_? But what _marchand_? At that point his second and most terrible question cropped up. In reality there was nothing he dreaded more than _ce marchand_, whom he had rushed off to seek so recklessly, though, of course, he was terribly afraid of finding him. No, better simply the high road, better simply to set off for it, and walk along it and to think of nothing so long as he could put off thinking. The high road is something very very long, of which one cannot see the end--like human life, like human dreams. There is an idea in the open road, but what sort of idea is there in travelling with posting tickets? Posting tickets mean an end to ideas. _Vive la grande route_ and then as God wills.