Explore "The Double" by José Saramago on Textopian. Read with annotations and highlights.
HE WOKE LATE. HE HAD SPENT A TROUBLED NIGHT, SHOT through with fleeting, disquieting dreams, a staff meeting at which none of the teachers were present, an endless corridor, a videocassette that refused to fit into the VCR, a cinema with a black screen on which a black film was being shown, a telephone directory with the same name repeated on every line and which he could not read, a parcel with a fish inside, a man carrying a stone on his back and saying, I'm an Amorite, an algebraic equation with people's faces where there should have been letters. The only dream he could remember with any clarity was the one about the parcel, although he had been unable to identify the fish, and now, still barely awake, he consoled himself with the thought that at least it couldn't have been a monkfish, because a monkfish wouldn't have fit inside the box.
He got up with some difficulty, as if his joints had stiffened after some excessive and unaccustomed physical effort, and went into the kitchen to get a drink of water, a full glass gulped down with all the urgency of someone who had eaten something salty for supper. He was hungry but didn't feel like preparing breakfast. He went back into the bedroom to fetch his dressing gown, then returned to the liv ing room. The letter to the production company was there on the desk, the final and definitive version of the many versions with which the wastepaper basket was filled almost to overflowing. He reread it and it seemed to him to serve his present purposes, he had not only requested a signed photograph of the actor, he had also, as if in passing, asked for his address.