Explore "The Charterhouse of Parma" by Stendhal on Textopian. Read with annotations and highlights.
Fabrizio's soul was exalted by the old man's speech, by his own keen attention to it, and by his extreme exhaustion. He had great difficulty in getting to sleep, and his slumber was disturbed by dreams, presages perhaps of the future; in the morning, at ten o'clock, he was awakened by the whole belfry's beginning to shake; an alarming noise seemed to come from outside. He rose in bewilderment and at first imagined that the end of the world had come; then he thought that he was in prison; it took him some time to recognise the sound of the big bell, which forty peasants were setting in motion in honour of the great San Giovita; ten would have been enough.
Fabrizio looked for a convenient place from which to see without being seen; he discovered that from this great height his gaze swept the gardens, and even the inner courtyard of his father's castle. He had forgotten this. The idea of that father arriving at the ultimate bourne of life altered all his feelings. He could even make out the sparrows that were hopping in search of crumbs upon the wide balcony of the dining-room. "They are the descendants of the ones I used to tame long ago," he said to himself. This balcony, like every balcony in the mansion, was decorated with a large number of orange trees in earthenware tubs, of different sizes: this sight melted his heart; the view of that inner courtyard thus decorated, with its sharply defined shadows outlined by a radiant sun, was truly majestic.