Explore "The Charterhouse of Parma" by Stendhal on Textopian. Read with annotations and highlights.
The arrival of our hero threw Clelia into despair: the poor girl, pious and sincere with herself, could not avoid the reflection that there would never be any happiness for her apart from Fabrizio; but she had made a vow to the Madonna, at the time when her father was nearly poisoned, that she would offer him the sacrifice of marrying the Marchese Crescenzi. She had made the vow that she would never see Fabrizio, and already she was a prey to the most fearful remorse over the admission she had been led to make in the letter she had written Fabrizio on the eve of his escape. How is one to depict what occurred in that sorrowful heart when, occupied in a melancholy way with watching her birds flit to and fro, and raising her eyes from habit, and with affection, towards the window from which formerly Fabrizio used to look at her, she saw him there once again, greeting her with tender respect.
She imagined it to be a vision which Heaven had allowed for her punishment; then the atrocious reality became apparent to her reason. "They have caught him again," she said to herself, "and he is lost! " She remembered the things that had been said in the fortress after the escape; the humblest of the gaolers regarded themselves as mortally insulted. Clelia looked at Fabrizio, and in spite of herself that look portrayed in full the passion that had thrown her into despair.