The Complete Works of F. Marion Crawford

Clare Bowring went to her room that night feeling as though she had been at the theatre. She could not get rid of the impression made upon her by the scene she had witnessed, and over and over again, as she lay awake, with the moonbeams streaming into her room, she went over all she had seen and heard on the platform. It had, at least, been very like the theatre. The broad, flat stage, the somewhat conventionally picturesque buildings, the strip of far-off sea, as flat as a band of paint, the unnaturally bright moonlight, the two chief figures going through a love quarrel in the foreground, and she herself calmly seated in the shadow, as in the darkened amphitheatre, and looking on unseen and unnoticed.

But the two people had not talked at all as people talked on the stage in any piece Clare had ever seen. What would have been the "points" in a play had all been left out, and instead there had been abrupt pauses and awkward silences, and then, at what should have been the supreme moment, the lady in white had asked for a cigarette. And the two hasty little kisses that had a sort of perfunctory air, and the queer, jerky "good-byes," and the last stop near the door of the hotel -- it all had an air of being very badly done. It could not have been a success on the stage, Clare thought.