Explore "The Eye of Osiris" by R. Austin Freeman on Textopian. Read with annotations and highlights.
Barnard's practise, like most others, was subject to those fluctuations that fill the struggling practitioner alternately with hope and despair. The work came in paroxysms with intervals of almost complete stagnation. One of these intermissions occurred on the day after my visit to Nevill's Court, with the result that by half-past eleven I found myself wondering what I should do with the remainder of the day. The better to consider this weighty problem, I strolled down to the Embankment, and, leaning on the parapet, contemplated the view across the river; the gray stone bridge with its perspective of arches, the picturesque pile of the shot-towers, and beyond, the shadowy shapes of the Abbey and St. Stephen's.
It was a pleasant scene, restful and quiet, with a touch of life and a hint of sober romance, when a barge swept down through the middle arch of the bridge with a lugsail hoisted to a jury mast and a white-aproned woman at the tiller. Dreamily I watched the craft creep by upon the moving tide, noted the low freeboard, almost awash, the careful helmswoman, and the dog on the forecastle yapping at the distant shore -- and thought of Ruth Bellingham.