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In that uninitiated observation of the great spectacle of English life upon which I have touched, it might be supposed that Newman passed a great many dull days. But the dullness of his days pleased him; his melancholy, which was settling into a secondary stage, like a healing wound, had in it a certain acrid, palatable sweetness. He had company in his thoughts, and for the present he wanted no other. He had no desire to make acquaintances, and he left untouched a couple of notes of introduction which had been sent him by Tom Tristram. He thought a great deal of Madame de Cintré-sometimes with a dogged tranquillity which might have seemed, for a quarter of an hour at a time, a near neighbor to forgetfulness. He lived over again the happiest hours he had known-that silver chain of numbered days in which his afternoon visits, tending sensibly to the ideal result, had subtilized his good humor to a sort of spiritual intoxication.
He came back to reality, after such reveries, with a somewhat muffled shock; he had begun to feel the need of accepting the unchangeable. At other times the reality became an infamy again and the unchangeable an imposture, and he gave himself up to his angry restlessness till he was weary. But on the whole he fell into a rather reflective mood. Without in the least intending it or knowing it, he attempted to read the moral of his strange misadventure. He asked himself, in his quieter hours, whether perhaps, after all, he _was_ more commercial than was pleasant. We know that it was in obedience to a strong reaction against questions exclusively commercial that he had come out to pick up esthetic entertainment in Europe; it may therefore be understood that he was able to conceive that a man might be too commercial.