The Phoenix by Jorge Luis Borges — Read

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In monumental effigies, in pyramids of stone, and in treasured mummies, the Egyptians sought eternity. It is therefore appropriate that their country should have given rise to the myth of a cyclical and deathless bird, though its subsequent elaboration is the work of Greece and of Rome. Adolf Erman writes that in the mythology of Heliopolis, the Phoenix (benu) is the lord of jubilees or of long cycles of time. Herodotus, in a famous passage (II, 73), tells with insistent scepticism an early form of the legend:

Another bird also is sacred; it is called the phoenix. I myself have never seen it, but only pictures of it; for the bird comes but seldom into Egypt, once in five hundred years, as the people of Heliopolis say. It is said that the phoenix comes when his father dies. If the picture truly shows his size and appearance, his plumage is partly golden and partly red. He is most like an eagle in shape and bigness. The Egyptians tell a tale of this bird's devices which I do not believe. He comes, they say, from Arabia bringing his father to the Sun's temple enclosed in myrrh, and there buries him. His manner of bringing is this: first he moulds an egg of myrrh as heavy as he can carry, and when he has proved its weight by lifting it he then hollows out the egg and puts his father in it, covering over with more myrrh the hollow in which the body lies; so the egg being with his father in it of the same weight as before, the phoenix, after enclosing him, carries him to the temple of the Sun in Egypt. Such is the tale of what is done by this bird.

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