Explore "The Footsteps at the Lock" by Ronald A. Knox on Textopian. Read with annotations and highlights.
Bredon made no great pace up the river; he was exhausted by his twenty-five minutes of variety performance at the lock, and there was, besides, no need for haste. If the unknown took his punt downstream at all -- Leyland, in any other contingency, would be able to keep close on his tracks -- he must needs reach Millington Bridge before he could get a lodging for the night or a high road to bring him back into touch with civilization. And it would be easy work for Bredon to reach Millington first, in his lighter craft. Actually when the bridge stood up before him, dark-outlined against a cream and silver horizon of late sunset, he saw a figure leaning over the parapet towards him, and was hailed in Leyland's voice: "Tie up the canoe at the raft, and join me up here. I'm on the lookout."
Millington Bridge is not among those one-way-traffic concerns in which our thrifty forefathers delighted; there is room to pass a lorry on it; but, by a kind of false analogy, it has a sharp angle over each of its jutting piers in which the pedestrian may take refuge from the dangers and the mud-splashings of the road. It is easy to lean over the parapet at these points, not nearly so easy to stop doing it; the leisurely flow of the stream beneath laughs at the scruples which would forbid you to spend another five minutes in doing nothing. another ten minutes. another quarter of an hour, so as to make it a round number by the clock. To Leyland, and to Bredon, who now joined him, no such scruples even presented themselves. The stranger, it appeared, was taking a quite easy course down the river; and Leyland had had no difficulty in outwalking him. In a few more minutes he was due; meanwhile, there was nothing to be done but watch the stream below them and talk over their immediate plans.