Walt Whitman by Clarence Darrow — Read

The work of Whitman stands alone in the literature of the world. Both in substance and construction he ignored all precedents and dared to be himself. All the rules of form and taste must be unlearned before the world can accept his style as true literary art. Still it may be that Walt Whitman was a poet, and that sometime the world will look back and marvel at the mechanical precision and glittering polish that confines and emasculates for the sake of a purely artificial form.

Measured by the common rules, Whitman's work is neither poetry nor prose; it is remotely allied to the wild chanting of the primitive bards, who looked about at the fresh new marvels of earth and sky and sea, and unhampered by forms and rules and customs, sang of the miracles of the universe and the mysteries of life. Whitman seems one of those old bards, fresh from the hand of nature, young with the first creation, the newest handwork of the great Master, untaught in any schools, unfettered by any of the myriad chords, which time is ever weaving about the brains and hearts and consciences of men as the world grows gray; a primitive bard of nature, born by some chance or accident in this old, tired, worn-out world, dropped into this Nineteenth century with its machines and conventions, its artificial life, its unnatural morals and its fettered limbs.