The Victim by Hermann Sudermann — Read

Madame Nelson, the beautiful American, had come to us from Paris, equipped with a phenomenal voice and solid Italian technique. She had immediately sung her way into the hearts of Berlin music-lovers, provided that you care to call a mixture of snobbishness, sophisticated impressionableness and goose-like imitativeness -- heart. She had, therefore, been acquired by one of our most distinguished opera houses at a large salary and with long leaves of absence. I use the plural of opera house in order that no one may try to scent out the facts.

Now we had her, more especially our world of Lotharios had her. Not the younger sons of high finance, who make the boudoirs unsafe with their tall collars and short breeches; nor the bearers of ancient names who, having hung up their uniforms in the evening, assume monocle and bracelet and drag these through second and third-class drawing-rooms. No, she belonged to those worthy men of middle age, who have their palaces in the west end, whose wives one treats with infinite respect, and to whose evenings one gives a final touch of elegance by singing two or three songs for nothing.