Dodo by E.F. Benson — Read

Dodo was sitting in a remarkably easy-chair in her own particular room at the house in Eaton Square. As might have been expected, her room was somewhat unlike other rooms. It had a pale orange-coloured paper, with a dado of rather more intense shade of the same colour, an orange-coloured carpet and orange-coloured curtains. Dodo had no reason to be afraid of orange colour just yet. It was a room well calculated to make complete idleness most easy. The tables were covered with a mass of albums, vases of flowers, and a quantity of entirely useless knick-knacks. The walls were hung with several rather clever sketches, French prints and caricatures of Dodo's friends. A small bookcase displayed a quantity of flaring novels and a large tune hymn-book, and in a conspicuous corner was Dodo's praying-table, on which the skull regarded its surroundings with a mirthless and possibly contemptuous grin. The mantelpiece was entirely covered with photographs, all signed by their prototypes.

These had found their quarters gradually becoming too small for them, and had climbed half way up the two-sides of a Louis Quinze mirror, that formed a sort of overmantel. The photographs were an interesting study, and included representatives from a very wide range of classes. No one ever accused Dodo of being exclusive. In the corner of the room were a heap of old cotillion toys, several hunting-whips, and a small black image of the Virgin, which Dodo had picked up abroad. Above her head a fox's mask grinned defiantly at another fox's brush opposite. On the writing table there was an inkstand made of the hoof of Dodo's favourite hunter, which had joined the majority shortly after Christmas, and the "Dodo" symphony, which had just come out with great _eclat_ at the Albert Hall, leant against the wall. A banjo case and a pair of castanets, with a dainty silver monogram on them, perhaps inspired Dodo when she sat down to her writing-table.