Dodo by E.F. Benson — Read

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That same evening Edith Staines and Miss Grantham were seated together in a box at the opera. The first act was just over, and Edith, who had mercilessly silenced every remark Miss Grantham had made during it, relaxed a little. Miss Grantham's method of looking at an opera was to sit with her hack to the stage, so as to command a better view of the house, and talk continuously. But Edith would not stand that. She had before her a large quarto containing the full score, and she had a pencil in her hand with which she entered little corrections, and now and then she made comments to herself.

"I shall tell Mancinelli of that," she murmured. "The whole point of the motif is that rapid run with the minim at the end, and he actually allowed that beast to make a rallentando."

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