Explore "The History of the Siege of Lisbon" by José Saramago on Textopian. Read with annotations and highlights.
IT IS GENERALLY CONSIDERED a show of unsurpassable bravura when a man condemned to death himself gives the firing squad the order to shoot, and even the most peaceful or cowardly of us, attended by favourable circumstances, at some time must have dreamed of this glorious demise, especially if someone survived to tell the tale, for glories without anyone to narrate them are valued less. In fact, it is necessary to have come into the world with nerves of steel, or, if shaky and cracking, to be possessed of a patriotic or similar zeal beyond the ordinary, to cry out with a hoarse and then for ever afterwards silent voice, Fire, somehow alleviating the conscience of the assassins from any sense of guilt, while elevating our own conscience in one last glow to the sublime heights of sacrifice and total abnegation.
It is possible that the common spectacle of such gestures, especially when transferred to the screen, contributes to an exaltation capable of turning the most mediocre person into a hero, only by chance absent from the scene of the drama, precisely because they decided to come to the cinema today, to see, one minute feigned, the next real, how the famous actor simulated death or how, with the realism of a documentary, an executed man without a name died for good.